Review: Murder on the Orient Express (film)

Name: Murder on the Orient Express
Based on: The novel by Agatha Christie
Starring: Kenneth Branagh, Michelle Pfeiffer, Johnny Depp, Judi Dench
Released: 2017

Murder on the Orient Express is the perfect cinematic spectacle to catch as we dive headlong into winter. Weather-wise, its full of snow. I was one of the few people (it seems) who didn't know the ending before watching the film, which I think made it more enjoyable.



This poster was created specially for
the film by New York illustrator
Johnny Dombrowski. See Inside
The Rock Poster Frame blog
to get your hands on one. 

Hercule Poirot (Branagh) is looking forward to a long overdue holiday when he is compelled to take on a murder case in London. Thankfully, he meets his old friend Bouc in Istanbul, who makes room for the famous Poirot on his train – the luxurious Orient Express where guests travel across Europe in style.

So twelve strangers gather aboard the train for the three-day journey. All they have in common is their ability to afford the expensive ticket. The motley crew – including a shady art dealer, a violent dancer, a rude princess and an American woman in search of husband number three – are thrown into disarray when one of them is killed in the sanctity of their train cabin. They're all suspects and the murderer could, of course, strike again.

Murder on the Orient Express is a classic story that has been continuously retold. And for good reason. It includes money and a love affair, as my Welsh friend put it, but more than that, it takes a long, hard look at the wide moral gap between right and wrong, and the ways in which the human soul can fracture.

In my opinion, as well as being a snowy spectacle, Murder on
the Orient Express is good old-fashioned entertainment, with great performances from some of Hollywood's finest. The film took a little while to get going, but then it moved at quite a pace – unlike the train they were stranded on. (Sorry.) I enjoyed figuring out whodunit, and now would like to forget the whole thing entirely so that I can pick up the book in a few years' time and experience it afresh as Agatha would have wanted.